La Bella sleeping in the Woods director Lisa Ferlazzo Natoli
Puppet Company Rane
scenes Aldo Zucco
costumes Giuseppina Maurizi
lights Luigi Biondi
assistant director Marta Zanazzi
artistic coordination of the project Raffaele Di Florio
notes
La Bella sleeping in the Woods, or "operating for 6 22 choir singers and 103 puppets and two mice, "was established around a happy chance make the theater, to stage something as a work written for real singers and puppets to the lectern. Chance that it has produced another: to live together on stage singers, chorus and a small army of puppets with proportions ranging from 50 cm to cha three meters in height-not to forget the 10 operations that the return of those puppets 'soul and temperament. The sleeper is a tale of Respighi eclectic, sometimes oblique, nearly that great rite of initiation into the sleep-blood-death and sex of the old array, with a time of a waltz in the chorus of mourners or the sudden fox -trot of the finale. He just Write a mixture, which superimposes styles and different souls and that revolves obsessively between two times, placed under the magical spell of the castle and the linear one, men.
E 'was inevitable numerical advantage to build a world of puppets, where the men were lost and there were even indistinguishable in the landscape of wires detached limbs and caps for the head. E 'created a sort of' factory baroque 'abandoned, a house of maneuver that gets back into gear with its rusty wheels and spinning wheels to awaken his dormant and become the strange people in the woods, or the throne room with the chorus of stars only use the lights. Then every player, destined to play more than one hand, would double his puppet, human or height, like high blood, over three meters. Thus triggering that playoff matches and mirrors ambiguity between characters upon which the metaphorical structure of each tale. The same choir dressed like a dusty collection of rag dolls, and rags, which undergoes the operation and its duplicate, finds himself in a third position, intermediate as a real threshold between two worlds.
This sleeper is made possible thanks to the amazing integration of all the technical and artistic staff, as if, now, we had intended at first glance: the charming, vivid puppets and rag the polystyrene Company Rane, intelligence interpretation of all the handlers, the sets 'burnt' and highly mobile Aldo Zucco, Giuseppina Maurizi layers of costumes, lights, festive dance procession from a circus and variety of Luigi Biondi and all the coordinate timely and visionary Raffaele Di Florio.
And when the 'factory of the puppets' opened its doors for the other fellow travelers: our conductor, the singers and the choir, we discovered that our world of puppets just waiting to come on this.
There are many people who make up the caravan La Bella sleeping in the woods, yet quest'operina still seems to have the lightness of a teatrino viaggiante.
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